GIOTTO di Bondone
Italian Early Renaissance Painter, 1267-1337 Italian painter and designer. In his own time and place he had an unrivalled reputation as the best painter and as an innovator, superior to all his predecessors, and he became the first post-Classical artist whose fame extended beyond his lifetime and native city. This was partly the consequence of the rich literary culture of two of the cities where he worked, Padua and Florence. Writing on art in Florence was pioneered by gifted authors and, although not quite art criticism, it involved the comparison of local artists in terms of quality. The most famous single appreciation is found in Dante's verses (Purgatory x) of 1315 or earlier. Exemplifying the transience of fame, first with poets and manuscript illuminators, Dante then remarked that the fame of Cimabue, who had supposed himself to be the leader in painting, had now been displaced by Giotto. Ironically, this text was one factor that forestalled the similar eclipse of Giotto's fame, which was clearly implied by the poet.

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GIOTTO di Bondone Tondo with Angel sh oil painting


Tondo with Angel sh
c. 1310 Mosaic, diameter 65,5 cm S. Pietro Ispano, Boville Ernica, Rome
Painting ID::  6905
GIOTTO di Bondone
Tondo with Angel sh
c. 1310 Mosaic, diameter 65,5 cm S. Pietro Ispano, Boville Ernica, Rome
   
   
     

GIOTTO di Bondone Anna and Joachim Meet at the Golden Gate (mk08) oil painting


Anna and Joachim Meet at the Golden Gate (mk08)
1303-1305 Fresco.c.185x200cm Padua,Arena Chapel
Painting ID::  21150
GIOTTO di Bondone
Anna and Joachim Meet at the Golden Gate (mk08)
1303-1305 Fresco.c.185x200cm Padua,Arena Chapel
   
   
     

GIOTTO di Bondone The Lamentation of Christ (mk08) oil painting


The Lamentation of Christ (mk08)
1303-1305 Fresco.c.185x200cm Padua,Arena Chapel
Painting ID::  21151
GIOTTO di Bondone
The Lamentation of Christ (mk08)
1303-1305 Fresco.c.185x200cm Padua,Arena Chapel
   
   
     

GIOTTO di Bondone St Francis Giving his Cloak to a Poor Man (mk08) oil painting


St Francis Giving his Cloak to a Poor Man (mk08)
Fresco. 270x230cm Assisi, San Francesco. Upper Church
Painting ID::  21152
GIOTTO di Bondone
St Francis Giving his Cloak to a Poor Man (mk08)
Fresco. 270x230cm Assisi, San Francesco. Upper Church
   
   
     

GIOTTO di Bondone Enthroned Madonna with Saints (mk08) oil painting


Enthroned Madonna with Saints (mk08)
c.1305-1310 Tempera on wood, 325x204cm Florence Galleria degli Uffizi
Painting ID::  21148
GIOTTO di Bondone
Enthroned Madonna with Saints (mk08)
c.1305-1310 Tempera on wood, 325x204cm Florence Galleria degli Uffizi
   
   
     

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     GIOTTO di Bondone
     Italian Early Renaissance Painter, 1267-1337 Italian painter and designer. In his own time and place he had an unrivalled reputation as the best painter and as an innovator, superior to all his predecessors, and he became the first post-Classical artist whose fame extended beyond his lifetime and native city. This was partly the consequence of the rich literary culture of two of the cities where he worked, Padua and Florence. Writing on art in Florence was pioneered by gifted authors and, although not quite art criticism, it involved the comparison of local artists in terms of quality. The most famous single appreciation is found in Dante's verses (Purgatory x) of 1315 or earlier. Exemplifying the transience of fame, first with poets and manuscript illuminators, Dante then remarked that the fame of Cimabue, who had supposed himself to be the leader in painting, had now been displaced by Giotto. Ironically, this text was one factor that forestalled the similar eclipse of Giotto's fame, which was clearly implied by the poet.

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